So, I just attended the lecture. It was actually very interesting. Basically, Doug Hofstadter’s hypothesis is that all cognitive thought is based on analogies, whether they are conscious or not. An analogy, as Hofstadter defined it, is a comparison or recognition of the commonalities of two events. This goes far beyond the simple, “A cake is to a baker as a hat is to a haberdasher.” (and yes, I did throw that in there merely for the sake of getting to type haberdasher.)
Hofstadter gave many examples of how the mind draws such analogies. One that I thought illustrated his point rather well, was about his experiences on a plane and at the airport. While he was on the plane heading over the Atlantic Ocean, it had to be diverted to avoid a hurricane. Then, when he was in the airport, he had to change his path to avoid walking into a woman. Without going into deep thought, his mind drew the parallel that what he had just done was the same as what the plane had to do, to a certain extent.
Another interesting argument was the fact that people often call people by the wrong name. The conclusion is that since you clearly know the difference between your sister and your friend’s sister, then you must be making the analogy that they are both sisters, and therefore might inadvertently call your friend’s sister the name of your own. This would also mean that the mind is drawing analogies that you are not even aware of until the moment you misname someone. Then, you realize your mistake and will forget about it.
This hypothesis can also be applied to some of the topics we are discussing. One implication would be that no thoughts could be clear and distinct, because they are all analogous to several other thoughts with similar basis. Furthermore, this would mean that all new thoughts are really just building on old thoughts. Certainly this would agree with Descartes’ ideas about creativity and imagination. However, there is no clear determination of what the first thought that becomes the building block for all other thoughts is. For example, you can draw the analogy that a boat is a car on water. However, can you know whether you knew about a car before you knew about a bike or other vehicle?
Another thought that crossed my mind (pun unintended) is why our mind finds the need to use these analogies. It could either be to simplify a subject and make it easier to remember. Or it could just be out of laziness. It is always much easier to answer a question like, “What is that movie about?” with, “Have you ever read Fahrenheit 451?” It just makes explaining topics much easier. Instead of going into great plot detail and character information, the question can be diverted into an analogy with another movie. The same thing happens in every artistic form. However, when we turn this question from the point of the observer, to the point of the creator, it has some serious questions.
What if every artist created something as a reaction or homage to another artist? We draw these comparisons as observers all the time. How can we tell if The Matrix is not just a combination of several other books and movies already created? That would be a serious argument for people who like to say the creativity is dead or always has been dead. It is scary to think about, but at the same time, is somewhat understandable. If it is human nature to continuously draw analogies, then wouldn’t we want to be dealing with something we can do that with? Something completely new, which for all intents and purposes cannot feasibly be thought of, would scare people because they wouldn’t know how to react. The previous encounter with something similar wouldn’t be there.
This is exactly like someone brought up in class today. We see aliens as having human characteristics because that is exactly what we understand. If an alien didn’t look like a human, then chances are it would look like something else that we already know of.
So what does this mean for new ideas?
Any new ideas? (haha, ok, I got a laugh out of it)